Art in uncertain conditions
The streams of humans, food, fuel, currency and knowledge in today's global economy are punctuated by local diversions. Even though these flows are set in motion in order to keep moving, they can be (temporarily) diverted to enrich local environments. This is where global flows move from the space of unbounded virtual exchange, to a place of uncertain physical experience, in which presence plays a crucial role. The local diversions maximise the quality of the connections themselves, rather than focusing primarily on maximising their exchange value. They increase the quality of experience within, while nurturing difference between the connections. It is this difference between the nodes that gives the places on the flows their long term resilience – becoming a densely connected trans-local societies.
As strategies for facilitating creation of presence and experience, what is the role of artistic actions in this context? Are we critiquing the situation, or attempting to hack the world? Should we operate from within the centres of market-driven consumer societies, or should we create new systems from the peripheries? Can we make the economic realities of today our experimental grounds? Whatever strategy we deploy, how are we contributing towards fundamental behavioural and cultural adaptation to turbulent flows? Moving from being creatives to becoming 'culture creatives', people who understand the complexity of global systems enough to be able to play them as artistic and cultural instruments?
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