Events

This exhibition by Jan Dietvorst at Foamlab is part of a series named the Solemnities follow the highlights of the Christian calendar.

This exhibition by Jan Dietvorst at Foamlab is part of a series named the Solemnities follow the highlights of the Christian calendar.

This exhibition by Jan Dietvorst at Foamlab is part of a series named the Solemnities follow the highlights of the Christian calendar.

This exhibition by Jan Dietvorst at Foamlab is part of a series named the Solemnities follow the highlights of the Christian calendar.

This exhibition by Jan Dietvorst at Foamlab is part of a series named the Solemnities follow the highlights of the Christian calendar.

This exhibition by Jan Dietvorst at Foamlab is part of a series named the Solemnities follow the highlights of the Christian calendar.

This exhibition by Jan Dietvorst at Foamlab is part of a series named the Solemnities follow the highlights of the Christian calendar.

This exhibition by Jan Dietvorst at Foamlab is part of a series named the Solemnities follow the highlights of the Christian calendar.

This exhibition by Jan Dietvorst at Foamlab is part of a series named the Solemnities follow the highlights of the Christian calendar.

This exhibition by Jan Dietvorst at Foamlab is part of a series named the Solemnities follow the highlights of the Christian calendar.

In a time when energy use and electronic waste production should be rapidly decreasing, can media artists comfortably use arsenals of computers and their peripherals in the name of art?

In a time when energy use and electronic waste production should be rapidly decreasing, can media artists comfortably use arsenals of computers and their peripherals in the name of art?

In a time when energy use and electronic waste production should be rapidly decreasing, can media artists comfortably use arsenals of computers and their peripherals in the name of art?

In a time when energy use and electronic waste production should be rapidly decreasing, can media artists comfortably use arsenals of computers and their peripherals in the name of art?

In a time when energy use and electronic waste production should be rapidly decreasing, can media artists comfortably use arsenals of computers and their peripherals in the name of art?

On Saturday the 5th of May 2007, at 5PM, we opened the doors of our lab to everyone who wanted to have a final taste of the first Luminous Green series.

Performance by Bent Object, with visuals by FoAM at Elektra Festival.
http://www.foton.be/inhumanformat/
http://www.elektramontreal.ca/index_fr.html