Events

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

This workshop introduced 'fluxus' as a programming and performing
environment for real-time animation. We covered a range of animation techniques, from basic geometry, motion, texturing and compositing to more advanced topics including simulations of physical systems [real or imagined], interfacing with sensors and actuators, along with using audio and network data. The participants learned how to make inanimate bits become animated and potentially life-like, able to mutate and grow through continuous successions of change...

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

This workshop introduced 'fluxus' as a programming and performing
environment for real-time animation. We covered a range of animation techniques, from basic geometry, motion, texturing and compositing to more advanced topics including simulations of physical systems [real or imagined], interfacing with sensors and actuators, along with using audio and network data. The participants learned how to make inanimate bits become animated and potentially life-like, able to mutate and grow through continuous successions of change...

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

This workshop introduced 'fluxus' as a programming and performing
environment for real-time animation. We covered a range of animation techniques, from basic geometry, motion, texturing and compositing to more advanced topics including simulations of physical systems [real or imagined], interfacing with sensors and actuators, along with using audio and network data. The participants learned how to make inanimate bits become animated and potentially life-like, able to mutate and grow through continuous successions of change...

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

This workshop introduced 'fluxus' as a programming and performing
environment for real-time animation. We covered a range of animation techniques, from basic geometry, motion, texturing and compositing to more advanced topics including simulations of physical systems [real or imagined], interfacing with sensors and actuators, along with using audio and network data. The participants learned how to make inanimate bits become animated and potentially life-like, able to mutate and grow through continuous successions of change...

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

This workshop introduced 'fluxus' as a programming and performing
environment for real-time animation. We covered a range of animation techniques, from basic geometry, motion, texturing and compositing to more advanced topics including simulations of physical systems [real or imagined], interfacing with sensors and actuators, along with using audio and network data. The participants learned how to make inanimate bits become animated and potentially life-like, able to mutate and grow through continuous successions of change...

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.

After the unique presentation of a group of six Asmat mask costumes from the collection of artist Jan Dietvorst, the idea surfaces to create a Christmas special of this show. One of the Jipae an Doroe is selected and placed in a forest of pine trees, as a true king. The whole of Foamlab is transformed into an evergreen forest from which the mask costume emerges. This show has become the start of a series of exhibitions at Foamlab commemorating the major feasts of the Roman Catholic liturgical calendar.