Joost Rekveld (1970) has been making abstract films and kinetic installations since 1991, originally inspired by the idea of a music for the eye. Through his invention of various animation techniques he became interested in the prehistory of moving image media, especially the technological history of perspective, optics, motion capture and scanning. These themes became the basis for a number of films and installations. His recent work is moving away from film towards more architectural and theatrical forms of articulated light.
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